![]() The Gallery Players, a Brooklyn theatrical institution, boasts numerous Broadway folk among its alumni, including Harvey Fierstein ( A Catered Affair, Hairspray, Torch Song Trilogy), Jennifer Barnhart ( Avenue Q), Manoel Felciano ( Sweeney Todd), Diedre Goodwin ( A Chorus Line, Chicago), Seth Rudetsky ( Seth’s Broadway Chatterbox), Garrett Long ( The Spitfire Grill) and John Rando (director of Broadway's Urinetown and The Wedding Singer). Those in Manhattan can reach the theatre by taking the F train to 4th Avenue or the R train to 9th Street. The musical earned Tony Awards for Best Book and Best Score.įor tickets call (718) 595-0547 or visit The Gallery Players is located in Park Slope, Brooklyn, at 199 14th Street. The musical is a madcap satirical romp through a jazz-age 1920s musical where the characters and real life merge with comic results. The Drowsy Chaperone spins to life as the Man in Chair, an impassioned theatre enthusiast, plays one of his favorite records for the audience. 30 at the Marquis Theatre following 674 performances and 32 previews. Moller (costume design), Brad Peterson (lighting design), Kim Fuhr-Carbone (sound design) and Jon Jordan (wig design). The five-time Tony Award-winning musical comedy The Drowsy Chaperone will close Dec. The creative team includes Jared Rutherford (scenic design), Ryan J. The Drowsy Chaperone has choreography by Christine O’Grady and musical direction by Kevin Lawson. Libby, Jake Mendes, Trey Mitchell, Jan-Peter Pedross, Colin Pritchard, Megan Rosenblatt, Chloe Sabin, Dawn Trautman, Tyler Wallach and Eric Weaver. The cast also features Jennifer DiDonato, Tauren Hagans, Robert Anthony Jones, Aaron J. Treubert is cast as Man in Chair, with Branan as Janet Van De Graaff, Juvier ( Les Miserables on Broadway) as Adolpho and Lampert ( Top of the Heap) as the Chaperone. Robert Earle Jones produces the engagement. ![]() A musical theater uber-fan seeks to cure his. Hans Friedrichs stages the theatrical valentine to the daffy musicals of the Jazz Age, which runs through Feb. This musical comedy spoofs, but still pays loving homage to, the frothy American musicals of the Jazz Age.
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